Friday 18 November 2011

Islay: Whisky Wilderness

For my next post I am going to write up a trip I took last week with a couple of friends to Islay, an island off the West Coast of Scotland. Islay is right next to Jura, which is known for its hunting, and the main attraction on this more fertile island is its whiskies. There are eight distilleries on Islay and the distinguishing characteristic that most people will recognise even if they haven't visited is the peated nature of the spirit. This trip was to appreciate smoked malting and peated whisky - something not found normally with other whiskies I've been used to on the East Coast, such as those from Speyside.

On our first day we woke up early and drove to the ferry at Kennacraig in Argyll. The journey across to Port Askaig took about 2 hours and was stunning - we had perfect weather for the crossing and anyone can appreciate the natural beauty of sailing up the tidal channel between Islay and Jura. Immediately after our arrival we drove down a tiny single track road to our first port of call, Caol Ila Distillery, which turned out to be closed for renovation. A mile or two north however, Bunnahabhain was open. The first thing we noticed when we arrived was that the whole area smelled deeply of malting - a welcome smell at 11 in the morning! After a brief tasting we moved on to Bruichladdich on the other side of the north part of the island, a mere 8 or so miles. With a view across the sun-soaked Loch Indaal towards Bowmore we settled down to a tasting from an incredibly friendly staff. Bruichladdich is, unlike many distilleries, privately owned and run still. Although this naturally doesn't make its whisky better or worse, it appealed to me in some sort of sentimental way. The enormous selection of whisky, and even gin and rum, was impressive and certainly eye-opening for someone who knows very little about detailed whisky tasting. Stand-out drams turned out to be their 16 year old Bordeaux cask selection and their 'Octomore'. For the 16s they have casked them in 5 different types of wood, from Pauillac, Margaux, Sauternes, Pomerol and Medoc - the difference in sweetness and depth of flavour purely from the wood ageing was amazing and certainly reflected the characteristics of the wine the regions produce. Definitely one to try for you wine enthusiasts out there! The Octomore we learned is the world's most heavily peated whisky. I was certainly a bit apprehensive about trying this because my only previous experience of peat has been Laphroaig which has never sat that well. Laphroaig and other peated whiskies have a classification of about 30-40parts per million, while this Octomore the lady proudly let us know was 167. With a alcohol percentage of about 60% Cask Strength it was a formidable whisky and worth trying for the experience - it is incredibly intense and quite incredible how they manage to produce something so balanced and so strong.

Following Bruichladdich we saw a bit of the incredible island itself, visiting the remote Machrie Bay on the Western shoreline, with the newest distillery on the island nestled on a farm nearby, Kilchoman. The setting was incredibly serene. Probably due to the time of year it was deserted, but we got the sense that even in the height of summer it would still retain its rugged, remote wilderness. To finish off the day we enjoyed a dram of Bowmore 15 Year Old in the Bowmore Distillery tasting room overlooking the Loch from the other side as Bruichladdich.
Our second and final day on Islay was more blustery and overcast - what we had been expecting from a Scottish Island! We started by driving out to the Mull of Oa, the south western tip of the island which is the most remote part with little more than a scattering of farm houses over ten square miles. On the edge of the cliff there is an American monument to a sunken troop ship lost in 1918 and in the wind it provided a surreal backdrop which seemed to typify the island: its rugged nature and sheer remoteness.

After our dose of culture and exercise we walked from our hotel in Port Ellen eastwards with a view to tasting as the 'big three' of Laphroaig, Lagavulin and Ardbeg. Lagavulin turned out to be closed, but we managed to get our fill of smokey peated whisky at the other two. Laphroaig provided us with a great museum of the distillery and generous tasting drams, but with less of the passion that was evident at Bruichladdich. We had heard that Ardbeg was the best for visitors, however, and we were not disappointed when we trekked the 3 miles out to it. After lunch in the cafe we took a tour of the distillery itself which was extremely informative and detailed the 5 main whiskies they sell today. The most interesting of these is the Alligator which uses charred casks to provide depth of flavour and smokiness to it. The inside of the barrels are burned to about an inch deep to the point where they crack like an alligator skin. The difference is marked from the rest of their whiskies which are all based on the same 10 Year Old - there is a much more complex and developed flavour which isn't harsh or aggressive like other peated whisky I have tried, such as the Laphroaig.


Overall the trip taught me about both whisky and the Western Isles: I learned about the distillation process and about how much peat can affect taste, depending on how smoked it is, and about the differences in each distillery's styles. But more amazing was the island itself: it was simply stunning. The southern coast was rocky and rugged, with enormous cliffs on one end, bays on the other. The north was lush and covered in hidden beaches and beautiful sheer drops to the sea. In terms of it being a visitor 'attraction', I would recommend it as a destination to anyone. The people were extremely friendly, especially at the distilleries. They seem to love being there and working with something so historically rooted there. It was also cheap and easy to get to - the only problem was the issue of the designated driver when heading to the distilleries!

Stand-out Islay whiskies from the trip that are worth ordering when you are next stuck in a bar for what to order would be Ardbeg's Alligator, Bruichladdich's 16YO Bordeaux Casks, The Octomore or Bruichladdich's 'Peat'. Happy drinking and do visit for yourselves.

Monday 7 November 2011

'Grand Vin de Bordeaux': Worth the prestige and expense?

I've had a lot of people come up to me over the past few weeks at wine events saying that they can only tell if what they are drinking is wine or not when given a taste. To someone who loves wine and knows about production, geography and varietals this seems a bit ridiculous, but it is something I understand. Until a couple of years ago I too could certainly not tell whether a wine was Pinot Noir or Cabernet Sauvignon, Chardonnay or Sauvignon Blanc, or whether it was corked. Because of this paying more than the standard bottle shop/supermarket price for wine seems like an alien concept to many. Should it be? Recently I have had the pleasure of being able to try a 1990 Chateau Margaux and a 1995 Chateau Lafite-Rothschild (both between 600 and 800 pounds) and it made me think about what is worth paying for.
Obviously as a student I do not have the money to be splashing on 800 pound bottles of wine, but hypothetically would it be worth it?
The Margaux was brought in to the restaurant I work at by a group of American businessmen. The bottle was an Imperial (6 litres) and features in the display picture for this blog. It was decanted into 8 decanters on the table with about a decanter's worth of thick sediment left in the bottle. It made quite an impression and was simply a stunning addition to the evening. The group left the waiters about a full decanter for us to enjoy after the shift which worked out at about 1100-1200 pounds of wine - not a bad tip at all! It turned out to be one of the most mind-blowing wines that I have ever tried. As soon as the bottle was opened intense and deep aromatics were noticeable all around. When tried after opening, the palate is tight and concentrated following a perfect blend of smells from all over the world - notes of delicate spices mix seamlessly with truffles, ripe fruits and dark licorice. The taste is intense and lengthy, lasting for two full minutes and recurring for the next ten. Once left for a couple of hours the development is marked. The nose becomes dominated by deep dark fruits, particularly cherry. The spices and other flavours hover in the background adding complexity and depth. On the palate the wine is full and creamy, with a viscous thickness to add to the sweet tannic grip. The length of the taste is just as long 3 or 4 hours after opening as it was immediately afterwards.
This Chateau is regarded as one of the premiers chateaux in all of Bordeaux and I can see why - this year is just reaching its mature drinking age at 21/22 years old and the composure it holds suggests many more years of drinking ahead. This vintage has consistently scored between 95 and 100 points and that is certainly what I would rate it.
The Lafite-Rothschild I tasted 10 hours after it had been opened and although there was a hint of it turning from over-exposure to air, there certainly was a lot left in the tank. As one would expect from a wine so geared towards ageing this vintage was young: noticeably so. There was a tightness that left a few flavours hidden within the wine, that will open with age. Having said that, the complexity and balance is remarkable. It was not as smooth and sweet as the Margaux, and had a great deal of smokey, tobacco meatiness to it. This matched well with its truffled earthiness and dark fruit spice. The length of the wine on the palate was again extraordinary, lasting a good minute despite the length of time after it had been opened. The Chateau is situated in Pauillac in Bordeaux and is generally regarded as one of the top 5, along with Chateau Mouton-Rothschild, Chateau Margaux, Chateau Latour and Chateau Lynches-Bages. It is near impossible to fault in any way and also scores into the high 90s at tastings.
For both of these wines once they are tasted it is very difficult to find a reason why one would not buy them in a hypothetical situation. Because of the complexity of the flavours, the depth and length of the taste on the palate and history behind them there really is no way anyone could turn them down in favour any others. It seems then that 'Grand Vin' is worth the price - it still has its place.